Random Summer -
Unoffical Múm
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A creative focus is needed when a
member leaves a band. When the lineup changes often it
can be a bad thing but not so for Mum. Personnel changes
are taken in stride as a positive thing, making the music
changing but the same. When Orvar Smarason and Gunnar Orn
Tynes formed the group as a duo in 1997 it was from a
place and with a creative production that fans identify
with.
While it is not unusual for
entertainers to have two versions of a song released it
often is for reasons of marketing rather than heritage.
When Mum recorded two versions of “Finally We are No One”
it was for quite another reason. It was cultural and it
was in different languages, with one having English
lyrics and the other embracing their Icelandic
heritage.
What is Mum? It’s a band, it’s a
creative musical achievement that combines emotive genius
and ingenuity with simple yet ultramodern sounds that are
soothing to listen to. With a large grass roots
following, Múm rivals with Sigur Rós and Björk in an
Icelandic triad that has centered focus on the island as
the center of the best and more exciting contemporary
music that appeals to younger crowds as well as older
listeners.
Iceland is a place
of incredible beauty. From the distinctive Icelandic horses and
small but hardy Icelandic sheep to glaciers (11% of the
country), fishing, ice and golf Iceland can be a place that
changes, and in some ways offers polar opposites. There is
variety in the things to see and do. Most of the 300,000
residents live in the coastal areas. Iceland itself is remote,
180 miles east of Greenland and 600 miles west of Norway.
Located in the far north Atlantic nearly to the Arctic Circle
it is a land moderated by the North Atlantic currents. It is in
this remote but technological advanced landscape that provides
inspiration for many creative endeavors.
Much as British music writers
reflect their heritage and country music reflects that of
the singer, the music from Mum reflects their heritage –
that of Iceland. It is a source of inspiration and
formation. The latest generations have a greater exchange
with the rest of Europe and this has brought new
enthusiasm to push the band to create ever more refined
and expressive music.
Ovar commented ”Preservation of
Icelandic culture is important to us, but more important
is the evolution of Icelandic culture. We have to be
aware so we won’t drown ourselves in disposable crap and
cheap shit and that our culture moves in a different
direction. There is room for the old traditions and we
need them, but we have to keep building.”
With most of the titles and
stories of their songs in Icelandic it was important for
Mum to share that heritage with the world. At the same
time from the creative side Tynes recognizes “The studio
can be a very sterile environment sometimes, people can
get very self-conscious, so we prefer to record in
different places.” This can be a key idea in keeping the
music fresh.
Tynes notes of Iceland “In small
towns, things are so simple that when we asked if there
were any houses around that we could possibly borrow or
hire, they just gave us the keys and the number to the
security code and let us get on with
it.” With a career from 1998 to the
present mum’s music has reached many people not only on
cd but with popular social links such as myspace and
youtube.
The music condensed with skilled
use of instruments and melody. With an expert level in
electronic programming they relate frame of mind to the
songs. “Our songs are melancholy and emotive because this
way it is as we have always liked that it was music to
that we have listened. I want to say that we are not sad
persons through that we live complaining every day, but
we appreciate these sensations in the music or in the
cinema, in any artistic form.”
Changes in the lineup happen.
Smárason adds “The band has been like that ever since we
started. We’re kind of used to that way of working. It’s
somehow in the nature of the band to keep changing and
it’s definitely going to keep changing.”
“The process of composition is
really easy, to the effect that it is not difficult to us
to find the melodies that we look or have in the head.
The base of all the songs is in instruments and
analogical sounds. Always. Further on it is when we them
work with electronic hardware and come to the definitive
sound. There is no a division between two ways,
everything opposite: we believe that both work perfectly
in the same ambience ”.
Orvar notes “There is little
chance to make money in music, so most musicians are in
it for totally different reasons. The big corporate hold
on music in the world is dangerous and does its best to
kill creativity. There are few things that go worse
together as music and capitalism. Music is for the people
and not for the rich people to get richer.”
Of their music he notes "Sometimes
it feels like escapist music; music for people to get
away with. Sometimes it's music that's very slow and
refers to some other world. It's about the music
connecting everybody to parts of themselves they don't
feel that often."
“We want everyone to give his
interpretation on the basis of the emotions that these
words and our cause known.”
“We have done music for an opera,
have set to music Icelandic poetry. Iceland is simply so
small that everything must work with each other, even if
they have quite different backgrounds.”
"We have always drawn a lot of our
samples from the natural world," says Gunnar Orn Tynes.
Two songs, "Behind Two Hills...A Swimming Pool" and
"Faraway Swimming Pool," were recorded specifically for
underwater listening sessions. The city of Reykjavik to
purchase underwater speakers and mum (as well as other
artists) then performed shows in which listeners could
hear the music only while swimming. "Music sounds
differently in the water," Smarason says, "It doesn't
have a lot of bass, but it is very clear. If you swim
away from the speaker, the sound is just as strong as if
you're close to it. We tried to capture that feeling on
the album, making frequencies that are extremely
shimmering in the water."
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